Van Hassel, Joseph- Response (after Brün), for solo percussion and fixed electronics (Digital Download)

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16675D
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Solo percussion and fixed electronics, download includes score and m4a file. Inspired by the percussion music of Herbert Brün, Joseph Van Hassel’s Response (after Brün) is an intermediate-level work for solo percussion that works well as an introduction to performing with un-metered electronics.

Print size: 11 x 17"

Review from Percussive Notes:

Instrumentation: snare drum, bass drum, suspended cymbal, wind gong, 2 cowbells, 2 woodblocks, 2 metal pipes. The subtitle of this work, “after Brün,” is a reference to Herbert Brün, a pioneer in electronic and computer music. Joseph Van Hassel’s goal is to invigorate an awareness and appreciation for Brün’s music. Structured in ten short movements that are performed attacca, this piece is scored for multiple percussion and electronic track. Joseph Van Hassel’s approach in melding these two components is rather interesting. All elements of this composition are intended to be balanced and equally important. Yet, the articulate nature of a majority of the percussion instruments is contrasted electronic soundscape of the track. This dichotomy requires heightened awareness and sensitivity from the performer. With no discernable pulse in the computer-generated part, the performer uses time references to sync with the track. Consisting mainly of short thematic ideas, a majority of the material is moderately difficult. However, there are moments where the composer overlaps motives. This requires the performers to execute a one-handed multiple bounce roll. Van Hassel is very attentive to the timbral possibilities of the instruments. In addition to being detailed about the implements, ranging from wood dowels to soft yarn mallets, he is very specific with the instruments in the “timbre pads.” Both of these collections include a cowbell, woodblock, and metal pipe that are to be definite in pitch. These meticulous elements combined with the performance demands make this piece suitable for advanced performers.

-Darin Olson

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