For vibraphone and tape, includes score, audio file, and part. Points of Departure adds something new and exciting to the vibraphone solo repertoire. Ms. Chen has created an unusual electronic soundscape with which the vibraphone interacts as an equal partner. Soft bowed vibe notes, brilliant bell sounds, a cadenza and more, makes this a great work for any college or professional recital. Dur: ca. 9'
Print size: Legal (11 x 14")
Review from Percussive Notes:
Points of Departure is a nine-minute composition for solo vibraphone and tape, which had its premiere on April 29, 1996 in Urbana, Illinois, by percussionist Mel Mobley. This work for the most part is free in its interpretation, although there are sections that require a strict tempo and good ensemble between the vibes and the tape. There is a "ghost" vibe part on the tape that creates the illusion that there is another vibe part often being played in response to the solo vibe part. There is an extended cadenza for the solo vibes, and pedaling is clearly marked throughout, as are motor and damping indications. Two sections require that the bars be bowed. Various tempi are used, from quarter note = 60 (the opening and closing of the work) to quarter note = 90 and quarter note = 30. Points of Departure is an excellent solo for vibes and tape. A mature performer of both musical and technical skill is required to realize the full intent of the work. This composition is suited for a college recital and is of particular interest because of the unique tape and ghost vibe part.
-John Beck
