...And It Comes Out Here, for indeterminate ensemble, includes one score.
Print size: 11 x 17"
Review from Percussive Notes (2022):
Originally composed in 1973, “...And It Comes Out Here” was premiered in 1974 at Atlantic Christian College in Wilson, N.C., and is a wonderful example of how to use graphic notation in an ensemble setting. The main section of the graph consists of five nested circles, each with its own set of symbols that dictate dynamics, note duration, short vs. sustained tones, clicking, tapping, etc. This central graph is divided into eight sections, and each one certainly has its own character. The conductor directs by using one arm in a sweeping motion to mimic a clock hand.
Outside of the central body, four smaller, singular circles orbit with varied directions, creating different characters or textures for each. These could be used however the performer chooses, but could be a great way to introduce performers as soloists or in smaller groups to change the texture. This can also influence the choice of instruments/voices. This alternation of the central circular graph and four smaller bodies is designed to create a rondo form.
Another interesting feature is the designation of moments for “musical quotation.” I imagine the performers can use this to influence how their music is perceived. There is as much opportunity to present a serious quote from an orchestral movement as there is a jingle or familiar childhood melody. Regardless, it’s also an opportunity for the performers to put more of their personality into the performance.
—Ben Cantrell
